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The long and peripatetic artistic career of Hippolyte-Alexandre Michallon began in a conventional fashion. Hippolyte - Alexandre Michallon, 1849 -1930
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In the mid-'50s a series of heart attacks forced Edith into semi-retirement, where she painted until her death in 1962. She later explored exotic themes ih her work. Ives and landscape painting trips to France and New England.Ĭromwell began mixing with a glamorous circle of jet-setting women and embarked upon a series of affairs. In 1930 she moved to New York where she lived part-time, dividing her summers between St. She painted Sargeant's portrait in 1925 and remained his lifelong friend and confidante. Cromwell developed an immediate rapport with the sensitive young man, encouraging him to study full-time and bringing him under the wing of the rigorous Michallon. They took her to Alfred Steieglitz's gallery, 291 and introduced her to the American avant-garde.Īfter the first World War and the death of her father, Cromwell returned to the Slade in London and assisted Michallon in his evening classes, where she met young Bruce Sargeant in 1920. Cromwell responded to her teacher's strict discipline and the two remained friends until Michallon's death in the Cornish cottage she would inherit from him 1930.Īt the onset of World War I, Edith returned to America and moved after a time in Boston to New York, where she met Charles Demuth and Mardsen Hartley. It was there that she encountered Hippolyte-Alexandre Michallon. The premature death of her mother left Cromwell the only child of a liberal father who encouraged her artistic pursuits, sending her to study at the Slade in London at the age of nineteen. Accomplished in every medium, he is more than a complete artist-he is at least six.Įdith ("Eddy") Thayer Cromwell was born in Boston, Massachusetts, in 1893 and died in St. Mark Beard is unprecedented, but not singular.
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The style of each of these artists is individual, brilliant and true. Peter Coulter, the newest persona, represents the "third generation" as he was taught briefly by Thayer Cromwell and Streerowitz. Michallon also taught Edith Thayer Cromwell, an American avant-gardeist and Brechtolt Steeruwitz, the German Expressionist, a most complex personality.
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Mark also created Bruce Sargeant’s teacher, Hippolyte-Alexandre Michallon, a 19th-century French Academist. Mark invented the persona of “Bruce Sargeant,” an imagined English artist, contemporary of E. Mark’s talent is so overflowing that, years ago, he needed to channel himself into alter egos. A visit to Mark Beard’s studio is like discovering Michelangelo’s lair: oil paintings layer the walls, lifedrawings litter the table at the feet of heroic bronzes ceramics, architectural maquettes are everywhere virtuosity, in every medium.